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When Clair dares to unzip him, she finds the dog is a completely empty costume with a fleshy interior and no sign of Shuichi. When he changes, he becomes a large cartoon dog with patchwork skin, a huge, fixed grin, and a large zipper on his back. His transformation represents these hidden aspects of himself. Shuichi is intelligent, loyal, and well-liked, but hides deep reservoirs of depression, self-loathing, and fear. (Shuichi doesn’t remember how he got his, though.) Soon, a girl named Clair discovers his secret and blackmails him into investigating this crazy shit and fighting the gatherers with her. He soon discovers the existence of others like him, known as gatherers, humans who’ve collected special coins for an alien who, in exchange, grants them monstrous powers. (Screenshot: Pine Jam/Funimation)Īs far as plot, Shuichi wakes up one day horrified to learn he can transform into more-or-less a typical Japanese mascot character, but with heightened strength, smell, and agility. I don’t think I’ve seen a show more skillfully and accurately portray the anxieties of attraction, the warm nervousness that comes with getting intimately acquainted with a new lover’s body, and the vulnerability that comes with laying bare the desires society has taught us to resent.
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In fact, the series lacks much of the empty fanservice common to many contemporary anime, with each moment of hypersexuality feeling completely genuine and intrinsically woven into the show’s narrative. But much like X-Men stories often use mutants as metaphors for any number of oppressed classes, I find it’s best not to expect the finer points to translate one-to-one, and to just enjoy the homoerotic fight scenes that result.īeastars is very horny, but more importantly, it is horny with meaning. On one hand, it requires you to shrug off a lot of the messier points (like sexual awakening being compared to literal predation). Instincts are a central part of the show’s conceit, often comparing hunger with sexual desire and power. Legoshi can’t understand what his feelings mean, with even Haru believing their love could be dangerous after all, everyone knows carnivores are mere slaves to their instincts. In an obvious parallel to what our own society tells queer people about their own attractions, everyone around Legoshi tells him his feelings for Haru are unnatural, predatory, or wrong.
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Society considers his kind, submissive, quiet personality highly abnormal for wolves, as well as his attraction to Haru. As such, her promiscuity is motivated both by her perceived lack of time and the fact that sex is the only time she doesn’t feel infantilised and pitied by others.Īs for Legoshi, a grey wolf, he’s all at once discovering himself as a carnivore, a sexual being, and a person. Another character, a dwarf rabbit named Haru, is always treated as if she’s a fragile little thing, liable to be devoured at any moment. He harbours intense jealousy toward carnivores’ physical strength, causing him to act prideful and overly dominant to those around him. For Louis the red deer, being an herbivore gives him an inferiority complex and a mean case of fang envy.